So sad to hear this. This seems like a good time to share a poem written by my wife so long ago. We'll miss him in our house.
I SOX NEW YORK
We have cable now, and Extra Innings,
so no more bars, where I have to put up with the girlfriend treatment
from the guys who talk about the game with my husband
and who see me, maybe, but don't hear a thing I have to say
about Schilling's pitching or the umpire's calls;
when the truth of the matter is
that my husband was born in Tacoma, Washington
and never once set foot in Boston, let alone Fenway,
until I took him there
on August 23, 2003, when Byung-Hyun Kim blew the save
but the Sox came out ahead anyway
with an RBI double by Millar in the tenth.
There, in our grandstand seats under the wide blue sky,
my husband, then my boyfriend,
tapped into something he left in his Minnesota boyhood
at the Metrodome, where they play baseball indoors,
on a carpet; and now our home is filled
with books of statistics that my husband uses to explain
why we are better off now without
Nomar or Pedro or D-Lowe or Johnny,
but I miss them all, how I loved them
even when they were beautiful losers
with unkempt hair.
But I only ever loved baseball
as a poet does, for the greeny hope of April
and how the languid days of summer bring that hope
into the diminishing light of October;
for the stolen base that wins it all
and the game-saving double play;
and for the miracle of grass in the midst of the city.
I might like baseball better, says my husband,
if I didn't hate the Yankees so much. He has no idea
how completely lost I get in Yankee Stadium,
where I feel how very small I am,
my little hands and little voice drowning in the roar
and the beery rage of the righteous.
Johnny or Manny might get confused, but
Tim Wakefield, at least, knows what he wants:
to be with the Red Sox forever;
and his knuckleball still confounds the pinstriped sluggers.
Once he releases the pitch, no-one knows where it's going,
not the batter, not the catcher;
not even he knows what will happen
as the ball wobbles its way toward the plate.
Rachael Lynn Nevins
written spring 2006